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Molly Bloom

April 23rd, 2009

This arrangement is a good exercise for changing positions while trying to keep a consistent tone. The tune is in the key of G and has a similar vibe to Blackberry Blossom though is far less known.

Over The Waterfall

December 4th, 2008

My computer recently suffered a catastrophic hard drive failure but fortunately I had a decent backup. While sifting through said backup I discovered some interesting stuff that I forgot even existed. Most of what I found would be of no interest to the average reader so I’ll spare you the details however I did come across a video outtake of me screwing around with Drop D tuning and a very slow improvised version of the tune Over The Waterfall. I never posted this since it wasn’t really intended for educational purposes and most of the opening licks are out of frame but since I haven’t posted in a while I figured I’d put it up.

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Tab in PDF and TablEdit formats - $6.00

New Camptown Races

July 13th, 2008

New Camptown Races is a Frank Wakefield tune that he played with Red Allen. It’s usually played in Bb or occasionally B natural. I play it in Bb (G position, capo at 3rd). The chords with the capo on are G, C, D, Em, A. The signature lick of the tune can be played by holding an Em7 chord and picking out the notes.

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Tab in PDF and TablEdit formats - $6.00

St. Anne’s Reel

July 5th, 2008

St. Anne’s Reel is a popular fiddle tune among bluegrass and old time jams. This is my arrangement of it for guitar.

Forked Deer

November 20th, 2007

Forked Deer is another parking lot standard usually played in the key of D. The example here is played in the key of C with the capo at the second fret.

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Black Mountain Rag

August 18th, 2007

Here is a medium tempo demonstration of the quintessential flatpicking tune. This is based off Doc Watson’s original recording in the key of D (capo 2nd). Apart from Doc most people generally play the tune in the key of A.

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Loch Leven Castle

May 5th, 2007

Loch Leven Castle is an old Scottish tune in Am (Dorian) that lends itself well to floating. Although not a common tune among guitar players you’ll pick it up in no time if you’re familiar with tunes like Jerusalem Ridge or Old Dangerfield. I play through the tune twice and use an Am(add9) up the neck for effect. If you’re unfamiliar with this particular voicing it’s really easy to play since it only requires two fingers but makes use of all six strings (ring @ 7th fret D string, index @ 5th fret G string).

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Tab in PDF and TablEdit formats - $6.00

Red Haired Boy

May 1st, 2007

The Red Haired Boy is a popular Irish reel that is a staple of Bluegrass jams. As with many fiddle tunes it goes by different names such as The Red Headed Irishman and The Jolly Beggar; the latter of which is based on the title and lyrics of an 18th Century Scottish ballad with a similar melody.

The tune is in the key of A (Mixolydian) and although I play it out of the G position capoed at the 2nd fret some guitar players prefer to play it in A without a capo.

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Tab in PDF and TablEdit formats - $6.00

Arkansas Traveler

December 18th, 2006

Arkansas Traveler is one of those cheesy, nursery rhyme tunes that’s instantly recognizable. Like Wildwood Flower it lends itself well to crosspicking. On guitar the tune is most commonly played out of the C position with the capo at the second fret (key of D). However Norman Blake’s classic version is in the key of C while David Grier capos it to the key of E.

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Tab in PDF and TablEdit formats - $6.00

Wildwood Flower

December 16th, 2006

Here is the Carter Family classic Wildwood Flower. A simple melody that lends itself well to crosspicking. If you’re unfamiliar with crosspicking it’s just a fancy word used to describe the process of simulating a banjo roll with a flatpick. In its simplest form the picking pattern generally starts with a downstroke and alternates from there. It gets a little more involved once you start branching out to multiple strings.

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Tab in PDF and TablEdit formats - $6.00

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