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New Camptown Races is a Frank Wakefield tune that he played with Red Allen. It’s usually played in Bb or occasionally B natural. I play it in Bb (G position, capo at 3rd). The chords with the capo on are G, C, D, Em, A. The signature lick of the tune can be played by holding an Em7 chord and picking out the notes.
Old Joe Clark is a well known fiddle tune usually played in the key of A so I’m capoed at the 2nd fret and playing out of the G position. The chords with the capo on are G, D, F, C with some passing tones as well. As with most fiddle tunes accompaniment varies greatly so I’ve included some rhythm playing to show some possibilities.
Southern Flavor is a classic example of Bill Monroe’s genius. Like all of my favorite Monroe compositions this tune rides a thin line between major and minor sounds. Unfortunately these are the same tunes that tend to get a little “messy” at jam sessions if they’re played at all.
Blake Williams is the banjo player on the original Monroe recording and I do my best to play it similar to the way he did.
Forked Deer is another parking lot standard usually played in the key of D. The example here is played in the key of C with the capo at the second fret.
Here is a medium tempo demonstration of the quintessential flatpicking tune. This is based off Doc Watson’s original recording in the key of D (capo 2nd). Apart from Doc most people generally play the tune in the key of A.
Loch Leven Castle is an old Scottish tune in Am (Dorian) that lends itself well to floating. Although not a common tune among guitar players you’ll pick it up in no time if you’re familiar with tunes like Jerusalem Ridge or Old Dangerfield. I play through the tune twice and use an Am(add9) up the neck for effect. If you’re unfamiliar with this particular voicing it’s really easy to play since it only requires two fingers but makes use of all six strings (ring @ 7th fret D string, index @ 5th fret G string).
The Red Haired Boy is a popular Irish reel that is a staple of Bluegrass jams. As with many fiddle tunes it goes by different names such as The Red Headed Irishman and The Jolly Beggar; the latter of which is based on the title and lyrics of an 18th Century Scottish ballad with a similar melody.
The tune is in the key of A (Mixolydian) and although I play it out of the G position capoed at the 2nd fret some guitar players prefer to play it in A without a capo.