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This is my arrangement of the classic Jerry Reed tune based off the original soundtrack recording from the movie Smokey and the Bandit that featured Bobby Thompson on banjo.
Like the original this arrangement features two banjos in harmony but it can just as easily be played as a solo piece. On the slow section the two banjos are hard panned left and right so you can use your balance control to isolate one banjo or the other. The lead banjo is in the left channel and the harmony is in the right. Both banjos are in standard G tuning.
Sally Goodin is a classic fiddle tune. I stick pretty close to the Scruggs version though I approach the down-neck break differently.
Key of A, capo 2nd fret.
Home Sweet Home has been a banjo standard since at least the days of Charlie Poole. My approach is somewhere between Scruggs & Crowe.
Key of C, dropped C tuning (gCGBD).
Blackberry Blossom in the key of G.
It’s hard not to avoid playing some melodic style on a tune like this but I throw in a little single string and some sixths to mix it up.
Come Hither to go Yonder is a classic Bill Monroe composition. According to Bill the original album title was misprinted as Go Hither to go Yonder. Regardless of what you call this tune it’s an excellent example of Monroe’s later work.
I try to keep the song as Scruggsy as possible but there is no getting around the melodic run needed to pull off the signature lick.
