HOW TO ORDER TAB

Tab Pricing

The Session Book
Jam Along With The Band!

1. Select the number of tabs desired from the drop down menu above and press the Buy Now button. This will redirect you to PayPal's secure site.

2. Login or create an account if you're new to PayPal.

3. Add the song titles, you wish to receive, in the "Add special instructions" section on the PayPal form or use my contact page. Remember to specify Banjo or Guitar tab.

Once I receive your order I will email you your requested tab in both PDF and TablEdit formats. In order to playback the TablEdit files you'll need to install the free viewer: Tefview.

Turnaround time is less than 24 hours and in most cases you'll have your tab in a matter of hours. I've had hundreds of orders from pickers all over the globe and satisfaction is guaranteed.

Guitar

Arkansas Traveler

December 18th, 2006

Arkansas Traveler is one of those cheesy, nursery rhyme tunes that’s instantly recognizable. Like Wildwood Flower it lends itself well to crosspicking. On guitar the tune is most commonly played out of the C position with the capo at the second fret (key of D). However Norman Blake’s classic version is in the key of C while David Grier capos it to the key of E.

Wildwood Flower

December 16th, 2006

Here is the Carter Family classic Wildwood Flower. A simple melody that lends itself well to crosspicking. If you’re unfamiliar with crosspicking it’s just a fancy word used to describe the process of simulating a banjo roll with a flatpick. In its simplest form the picking pattern generally starts with a downstroke and alternates from there. It gets a little more involved once you start branching out to multiple strings.

Gold Rush

December 13th, 2006

Here is an example of the tune Gold Rush. It’s in the key of A played out of the G position so put your capo on the second fret.

The video goes through the tune once fast, once slow and closes out with an example of what could be played as accompaniment.

Blackberry Blossom

December 7th, 2006

Blackberry Blossom is right up there towards the top of the heap of fiddle tunes that are way overplayed. Love it or hate it here is an example of it.
The trick to making this tune sound like a musical performance as opposed to an exercise is to give it a bit of that shoulder-shrugging fiddle bounce. Either way it’s a good exercise in alternate picking.

This video runs through the melody twice, once fast and once slow, followed up by an example of one possible chord progression that could be played behind it.

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